Recent research suggests that emotions are largely constructed
and performed and that narrative is one of the most important
practices through which people become emotionally aware. Narrative
literature thus offers a privileged means of exploring the
emotional standards and styles of the past. The essays collected
here explore medieval, romance emotional communities through both
fictional and non-fictional narratives in French, Spanish, and
Italian texts ranging from the twelfth through fifteenth centuries.
By following these women characters in their considerations, we can
hope both to learn something about the times the women were writing
in, while to enriching and enlarging our own emotionologies.
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