The popular success in 1967 of The Graduate was immediate and
total; at the time, only Gone with the Wind and The Sound of Music
were bigger box-office winners. Yet such phenomenal success came at
a price: On the film's 40th anniversary, director Mike Nichols
claimed that The Graduate had been ""whipped away"" by a young
audience hungry for countercultural documents. This study, the
first monograph on The Graduate, explores how popular and
subsequent critical reception deflected a full understanding of the
film's complex point of view, which satirizes everything in its
path--especially Benjamin and Elaine, its young ""heroes."" The
text explores how the film offers not the happy ending some
imagine, but a corrosive and satirical vision of humanity.
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