The world is full of copies. This proliferation includes not just
the copying that occurs online and the replication enabled by
globalization but the works of avant-garde writers challenging
cultural and political authority. In Make It the Same, Jacob Edmond
examines the turn toward repetition in poetry, using the explosion
of copying to offer a deeply inventive account of modern and
contemporary literature. Make It the Same explores how poetry-an
art form associated with the singular, inimitable utterance-is
increasingly made from other texts through sampling, appropriation,
translation, remediation, performance, and other forms of
repetition. Edmond tracks the rise of copy poetry across media from
the tape recorder to the computer and through various cultures and
languages, reading across aesthetic, linguistic, geopolitical, and
technological divides. He illuminates the common form that unites a
diverse range of writers from dub poets in the Caribbean to digital
parodists in China, samizdat wordsmiths in Russia to
Twitter-trolling provocateurs in the United States, analyzing the
works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang
Lian, John Cayley, Caroline Bergvall, M. NourbeSe Philip, Kenneth
Goldsmith, Vanessa Place, Christian Boek, Yi Sha, Hsia Yu, and Tan
Lin. Edmond develops an alternative account of modernist and
contemporary literature as defined not by innovation-as in Ezra
Pound's oft-repeated slogan "make it new"-but by a system of
continuous copying. Make It the Same transforms global literary
history, showing how the old hierarchies of original and
derivative, center and periphery are overturned when we recognize
copying as the engine of literary change.
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