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England in 1819 - The Politics of Literary Culture and the Case of Romantic Historicism (Paperback, New edition)
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England in 1819 - The Politics of Literary Culture and the Case of Romantic Historicism (Paperback, New edition)
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The year 1819 was the "annus mirabilis" for many British Romantic
writers, and the "annus terribilis" for demonstrators protesting
the state of parliamentary representation. In 1819 Keats wrote what
many consider his greatest poetry. This was the year of Shelley's
"Prometheus Unbound", "The Cenci", and "Ode to the West Wind."
Wordsworth published his most widely reviewed work, "Peter Bell",
and the craze for Walter Scott's historical novels reached its
zenith. Many of these writings explicitly engaged with the politics
of 1819, in particular the great movement for reform that came to a
head that August with an unprovoked attack on unarmed men, women,
and children in St Peter's Field, Manchester, a massacre that
journalists dubbed "Peterloo". But the year of Peterloo in British
history is notable for more than just the volume, value, and
topicality of its literature. Writing from 1819, as the author
argues, was acutely aware not only of its place in history, but
also of its place "as" history - a realization of a literary
"spirit of the age" that resonates strongly with the current
"return to history" in literary studies. Chandler explores the ties
between Romantic and contemporary historicism, such as the shared
tendency to seize a single dated event as both important on its own
and as a "case" testing general principles. To animate these
issues, Chandler offers a series of cases of built around key texts
from 1819. Like the famous sonnet by Shelley from which it takes
its name, this book simultaneously creates and critiques its own
place in history. It sets out to be not only a crucial study of
Romanticism, but also a major contribution to an understanding of
historicism.
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