In "Akira Kurosawa and Intertextual Cinema," James Goodwin draws
on contemporary theoretical and critical approaches to explore the
Japanese director's use of a variety of texts to create films that
are uniquely intertextual and intercultural. Surveying all of
Kurosawa's films and examining six films in depth-- "The Idiot,"
"The Lower Depths," "Rashomon," "Ikiru," "Throne of Blood," and
"Ran"--Goodwin finds in Kurosawa's themes and techniques the
capacity to restructure perceptions of Western and Japanese
cultures and to establish new meanings in each.
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