From the Greeks and Shakespeare to the Ramayana and the
Mahabharata, war has often been a major theme of dramatic
performances. However, many of the most extraordinary theater
projects in recent years not only have been about war but also have
originated in actual conflict zones themselves. "Performance in
Place of War" is concerned with these initiatives, including
theater in refugee camps, in war-ravaged villages, in towns under
curfew, and in cities under occupation. It looks at theater and
performances that often occur quite literally as bombs are falling,
as well as during times of ceasefire and in the aftermath of
hostilities.
"Performance in Place of War" draws on extensive original
material and includes interviews with artists, short play extracts,
and photographs from the Democratic Republic of Congo, Kosovo,
Israel, Lebanon, Sudan, and others. The authors combine critical
commentary, overviews of the conflicts and first-hand accounts in
order to consider such questions as: Why in times of disruption
have people turned to performance? And what aesthetic, ethical, and
political choices are made in these different contexts?
"Performance in Place of War" is a fascinating perspective on the
role of theater in unpredictable, war-torn times.
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