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The Age of New Waves - Art Cinema and the Staging of Globalization (Hardcover)
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The Age of New Waves - Art Cinema and the Staging of Globalization (Hardcover)
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The Age of New Waves examines the origins of the concept of the
"new wave" in 1950s France and the proliferation of new waves in
world cinema over the past three decades. The book suggests that
youth, cities, and the construction of a global market have been
the catalysts for the cinematic new waves of the past half century.
It begins by describing the enthusiastic engagement between French
nouvelle vague filmmakers and a globalizing American cinema and
culture during the modernization of France after World War II. It
then charts the growing and ultimately explosive disenchantment
with the aftermath of that massive social, economic, and spatial
transformation in the late 1960s. Subsequent chapters focus on
films and visual culture from Taiwan and contemporary mainland
China during the 1980s and 1990s, and they link the recent
propagation of new waves on the international film festival circuit
to the "economic miracles" and consumer revolutions accompanying
the process of globalization. While it travels from France to East
Asia, the book follows the transnational movement of a particular
model of cinema organized around mise en scene-or the interaction
of bodies, objects, and spaces within the frame-rather than montage
or narrative. The "master shot" style of directors like Hou
Hsiao-Hsien, Tsai Ming-Liang, and Jia Zhangke has reinvented a
crucial but overlooked tendency in new wave film, and this cinema
of mise en scene has become a key aesthetic strategy for
representing the changing relationships between people and the
material world during the rise of a global market. The final
chapter considers the interaction between two of the most global
phenomena in recent film history-the transnational art cinema and
Hollywood-and it searches for traces of an American New Wave.
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