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Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)

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The Guitar and its Music - From the Renaissance to the Classical Era (Paperback, New edition) Loot Price: R2,406
Discovery Miles 24 060
The Guitar and its Music - From the Renaissance to the Classical Era (Paperback, New edition): James Tyler, Paul Sparks

The Guitar and its Music - From the Renaissance to the Classical Era (Paperback, New edition)

James Tyler, Paul Sparks

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Loot Price R2,406 Discovery Miles 24 060 | Repayment Terms: R225 pm x 12*

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Following on from James Tyler's The Early Guitar: A History and Handbook(OUP 1980) tthis collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era. Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers and scholars alike. Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history-notably c.1759-c.1800-which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central to music-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-string instrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.

General

Imprint: Oxford UniversityPress
Country of origin: United Kingdom
Release date: 2007
Authors: James Tyler • Paul Sparks
Dimensions: 246 x 189 x 19mm (L x W x T)
Format: Paperback
Pages: 348
Edition: New edition
ISBN-13: 978-0-19-921477-8
Categories: Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)
Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
Books > Music > Theory of music & musicology > General
Books > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750)
Books > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
Books > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
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LSN: 0-19-921477-8
Barcode: 9780199214778

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