Iconic graphic designer and Academy Award--winning filmmaker
Saul Bass (1920--1996) defined an innovative era in cinema. His
title sequences for films such as Otto Preminger's The Man with the
Golden Arm (1955) and Anatomy of a Murder (1959), Alfred
Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy
Wilder's The Seven Year Itch (1955) introduced the idea that
opening credits could tell a story, setting the mood for the movie
to follow. Bass's stylistic influence can be seen in popular
Hollywood franchises from the Pink Panther to James Bond, as well
as in more contemporary works such as Steven Spielberg's Catch Me
If You Can (2002) and television's Mad Men.
The first book to examine the life and work of this fascinating
figure, Saul Bass: Anatomy of Film Design explores the designer's
revolutionary career and his lasting impact on the entertainment
and advertising industries. Jan-Christopher Horak traces Bass from
his humble beginnings as a self-taught artist to his professional
peak, when auteur directors like Stanley Kubrick, Robert Aldrich,
and Martin Scorsese sought him as a collaborator. He also discusses
how Bass incorporated aesthetic concepts borrowed from modern art
in his work, presenting them in a new way that made them easily
recognizable to the public.
This long-overdue book sheds light on the creative process of
the undisputed master of film title design -- a man whose
multidimensional talents and unique ability to blend high art and
commercial imperatives profoundly influenced generations of
filmmakers, designers, and advertisers.
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