Dante put Muhammad in one of the lowest circles of Hell. At the
same time, the medieval Christian poet placed several Islamic
philosophers much more honorably in Limbo. Furthermore, it has long
been suggested that for much of the basic framework of the Divine
Comedy Dante was indebted to apocryphal traditions about a "night
journey" taken by Muhammad.
Dante scholars have increasingly returned to the question of Islam
to explore the often surprising encounters among religious
traditions that the Middle Ages afforded. This collection of essays
works through what was known of the Qur'an and of Islamic
philosophy and science in Dante's day and explores the bases for
Dante's images of Muhammad and Ali. It further compels us to look
at key instances of engagement among Muslims, Jews, and Christians.
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