Jane Gallop s book offers a clear-eyed and comprehensive history
of feminist literary criticism. Why, she asks, have we so quickly
buried 1970s feminist criticism? What lies buried there? Why do
1990s academic feminists accuse other academic feminists of being
academic ?
Gallop takes the novel approach of structuring her inquiry
around anthologies of feminist criticism: twelve important texts
that have had a wide impact on more than a decade of scholarship.
In reading an anthology as a whole, she typically identifies a
central, hegemonic voice (usually that of the editor/s) which would
organise all the voices into a unity, and then explores the
resistance within that volume to such a unity. Weight is placed
behind these internal differences as a wedge against the centrist
drive.
Around 1981 addresses briefly french feminism and psychoanalytic
feminism before focusing on its principal subject: the mainstream
of feminist literary criticism, before and after its general
acceptance as part of the changing institution of literary studies.
This brilliantly illuminates the dilemma of the feminist critic,
divided by her allegiance to both feminism and literary
studies.
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