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Ex-centric Cinema - Giorgio Agamben and Film Archaeology (Hardcover)
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Ex-centric Cinema - Giorgio Agamben and Film Archaeology (Hardcover)
Series: Thinking Cinema
Expected to ship within 12 - 17 working days
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In the beginning, cinema was an encounter between humans, images
and machine technology, revealing a stream of staccato gestures,
micrographic worlds, and landscapes seen from above and below. In
this sense, cinema's potency was its ability to bring other,
non-human modes of being into view, to forge an encounter between
multiple realities that nonetheless co-exist. Yet the story of
cinema became (through its institutionalization) one in which the
human swiftly assumed centrality through the literary crafting of
story, character and the expression of interiority. Ex-centric
Cinema takes an archaeological approach to the study of cinema
through the writings of philosopher Giorgio Agamben, arguing that
whilst we have a century-long tradition of cinema, the possibility
of what cinema may have become is not lost, but co-exists in the
present as an unexcavated potential. The term given to this history
is ex-centric cinema, describing a centre-less moving image culture
where animals, children, ghosts and machines are privileged
vectors, where film is always an incomplete project, and where
audiences are a coming community of ephemeral connections and
links. Discussing such filmmakers as Harun Farocki, the Lumiere
Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws
connections with Agamben to propose a radically different way of
thinking about cinema.
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