Making use of recent feminist critical theory, Doane considers
Gertrude Stein's modernist preoccupation with narrative silence in
her early novels. She demonstrates the effects of this
preoccupation on Stein's literary development, from the
conventionality of her first novel, Q.E.D., through Fernhurst and
Three Lives, to the radical transgressions against narrative
intelligibility in The Making Of Americans. Doane, contending that
Stein's ultimate revolt against traditional modes of discourse is
directly attributable to her position as a woman writer,
effectively elaborates the possibilities of creating an alternative
feminist discourse and explores the ways in which gender may
contribute to meaning.
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