This book examines film as a multimodal text and an audiovisual
synthesis, bringing together current work within the fields of
narratology, philosophy, multimodal analysis, sound as well as
cultural studies in order to cover a wide range of international
academic interest. The book provides new insights into current work
and turns the discussion towards recent research questions and
analyses, representing and constituting in each contribution new
work in the discipline of film text analysis. With the help of
various example analyses, all showing the methodological
applicability of the discussed issues, the collection provides
novel ways of considering film as one of the most complex and at
the same time broadly comprehensible texts.
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