Katherine Anne Porter's life closely paralleled that of her century
not only in its span (1890-1980) but in its interests and
contradictions. A communist sympathizer who became a quasi fascist,
a cosmopolitan who embraced southern agrarianism, a femme fatale
whose writings nonetheless evince feminist feeling, Porter
embodied, often at their extremes, the major currents of her time
and ours. In this new biography Janis P. Stout argues that these
inconsistencies can be viewed as part and parcel of modernism
itself.
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