William Faulkner wrote during a tumultuous period in southern
racial consciousness, between the years of the enactment of Jim
Crow and the beginnings of the civil rights movement in the South.
Throughout the writer's career, racial paradigms were in flux, and
these shifting notions are reflected in Faulkner's prose.
Faulkner's fiction contains frequent questions about the ways in
which white Americans view themselves with regard to race along
with challenges to the racial codes and standards of the region,
and complex portrayals of the interactions between blacks and
whites. Throughout his work, Faulkner contests white identity--its
performance by whites and those passing for white, its role in
shaping the South, and its assumption of normative identity in
opposition to non-white "Others." This is true even in novels
without a strong visible African American presence, such as "As I
Lay Dying," "The Hamlet," "The Town," and "The Mansion."
"Faulkner and Whiteness" explores the ways in which Faulkner's
fiction addresses and destabilizes the concept of whiteness in
American culture. Collectively, the essays argue that whiteness, as
part of the Nobel Laureate's consistent querying of racial
dynamics, is a central element. This anthology places Faulkner's
oeuvre--and scholarly views of it--in the contexts of its
contemporary literature and academic trends exploring race and
texts.
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