Although the song is often the subject of monographs, one of its
forms remains insufficiently researched: the vocalised song,
communicated to the spectator through performance. The study of the
song takes one back to the study of vocal practices, from aesthetic
objects to forms and to plural styles. To conceive a song means
approaching it in its different instances of creation as well as
its linguistic diversity. Jean Nicolas De Surmont proposes ways of
research and analysis useful to musicians, musicologists, and
literary critics alike. In his book he takes up the issue of vocal
poetry in addition to examining the theoretic aspects of song
objects. Rather than offering an autonomous model of analysis, De
Surmont extends the research fields and suggests responses to
debates that have involved everyone interested in vocal poetic
forms.
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