Passage into the modern world left the Russian icon profoundly
altered. It fell into new hands, migrated to new homes, and
acquired new forms and meanings. Icons were made in the factories
of foreign industrialists and destroyed by iconoclasts of the
proletariat. Even the icon's traditional functions--whether in the
feast days of the church or the pageantry of state power--were
susceptible to the transformative forces of modernization. In Alter
Icons: The Russian Icon and Modernity, eleven scholars of Russian
history, art, literature, cinema, philosophy, and theology track
key shifts in the production, circulation, and consumption of the
Russian icon from Peter the Great's Enlightenment to the
post-Soviet revival of Orthodoxy. Alter Icons shows how the twin
pressures of secular scholarship and secular art transformed the
Russian icon from a sacred image in the church to a masterpiece in
the museum, from a parochial craftwork to a template for the
avant-garde, and from a medieval interface with the divine to a
modernist prism for seeing the world anew.
In addition to the editors, the contributors are Robert Bird,
Elena Boeck, Shirley A. Glade, John-Paul Himka, John Anthony
McGuckin, Robert L. Nichols, Sarah Pratt, Wendy R. Salmond, and
Vera Shevzov.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!