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Teaching Performance: A Philosophy of Piano Pedagogy (Hardcover, 1st ed. 2015)
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Teaching Performance: A Philosophy of Piano Pedagogy (Hardcover, 1st ed. 2015)
Series: Contemporary Philosophies and Theories in Education, 7
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How can the studio teacher teach a lesson so as to instill refined
artistic sensibilities, ones often thought to elude language? How
can the applied lesson be a form of aesthetic education? How can
teaching performance be an artistic endeavor in its own right?
These are some of the questions Teaching Performance attempts to
answer, drawing on the author's several decades of experience as a
studio teacher and music scholar. The architects of absolute music
(Hanslick, Schopenhauer, and others) held that it is precisely
because instrumental music lacks language and thus any overt
connection to the non-musical world that it is able to expose
essential elements of that world. More particularly, for these
philosophers, it is the density of musical structure-the intricate
interplay among purely musical elements-that allows music to
capture the essences behind appearances. By analogy, the author
contends that the more structurally intricate and aesthetically
nuanced a pedagogical system is, the greater its ability to
illuminate music and facilitate musical skills. The author terms
this phenomenon relational autonomy. Eight chapters unfold a
piano-pedagogical system pivoting on the principle of relational
autonomy. In grounding piano pedagogy in the aesthetics of absolute
music, each domain works on the other. On the one hand, Romantic
aesthetics affords pedagogy a source of artistic value in its own
right. On the other hand, pedagogy concretizes Romantic aesthetics,
deflating its transcendental pretentions and showing the dichotomy
of absolute/utilitarian to be specious.
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