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Democracy's Spectacle - Sovereignty and Public Life in Antebellum American Writing (Hardcover)
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Democracy's Spectacle - Sovereignty and Public Life in Antebellum American Writing (Hardcover)
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"What is the hangman but a servant of law? And what is that law but
an expression of public opinion? And if public opinion be brutal
and thou a component part thereof, art thou not the hangman's
accomplice?" Writing in 1842, Lydia Maria Child articulates a
crisis in the relationship of democracy to sovereign power that
continues to occupy political theory today. Is sovereignty, with
its reliance on singular and exceptional power, fundamentally
inimical to democracy? Or might a more fully realized democracy
distribute, share, and popularize sovereignty, thus blunting its
exceptional character and its basic violence? In Democracy's
Spectacle, Jennifer Greiman looks to an earlier moment in the
history of American democracy's vexed interpretation of sovereignty
to argue that such questions about the popularization of sovereign
power shaped debates about political belonging and public life in
the antebellum United States. In an emergent democracy that was
also an expansionist slave society, Greiman argues, the problems
that sovereignty posed were less concerned with a singular and
exceptional power lodged in the state than with a power over life
and death that involved all Americans intimately. Drawing on Alexis
de Tocqueville's analysis of the sovereignty of the people in
Democracy in America, along with work by Gustave de Beaumont, Lydia
Maria Child, Nathaniel Hawthorne, and Herman Melville, Greiman
tracks the crises of sovereign power as it migrates out of the
state to become a constitutive feature of the public sphere.
Greiman brings together literature and political theory, as well as
materials on antebellum performance culture, antislavery activism,
and penitentiary reform, to argue that the antebellum public
sphere, transformed by its empowerment, emerges as a spectacle with
investments in both punishment and entertainment.
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