Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Performance art
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International Politics and Performance - Critical Aesthetics and Creative Practice (Hardcover, New)
Loot Price: R3,896
Discovery Miles 38 960
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International Politics and Performance - Critical Aesthetics and Creative Practice (Hardcover, New)
Series: Interventions
Expected to ship within 12 - 17 working days
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In recent years we have witnessed an increasing convergence of work
in International Politics and Performance Studies around the
troubled, and often troubling, relationship between politics and
aesthetics. Whilst examination of political aesthetics, aesthetic
politics, and politics of aesthetic practice has been central to
research in both disciplines for some time, the emergence of a
distinctive 'performative turn' in International Politics and a
critical return to the centrality of politics and the concept of
'the political' in Performance Studies highlights the importance of
investigating the productivity of bringing the methods and
approaches of the two fields of enquiry into dialogue and mutual
relation. Exploring a wide range of issues including rioting,
youth-driven protests, border security practices and the
significance of cultural awareness in war, this text provides an
accessible and cutting edge survey of the intersection of
international politics and performance examining issues surrounding
the politics of appearance, image, event and place; and discusses
the development and deployment of innovative critical and creative
research methods, from auto-ethnography to site-specific
theatre-making, from philosophical aesthetics to the aesthetic
thought of new securities scenario-planning. The book's focus
throughout is on the materiality of performance practices-on the
politics of making, spectating, and participating in a variety of
modes as political actors and audiences-whilst also seeking to
explicate the performative dynamics of creative and critical
thinking. Structured thematically and framed by a detailed
introduction and conclusion, the focus is on producing a dialogue
between contributors and providing an essential reference point in
this developing field. This work is essential reading for students
of politics and performance and will be of great interest to
students and scholars of IR, performance studies and cultural
studies.
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