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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Design styles > Modernist design & Bauhaus

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Collecting as Modernist Practice (Paperback) Loot Price: R957
Discovery Miles 9 570
Collecting as Modernist Practice (Paperback): Jeremy Braddock

Collecting as Modernist Practice (Paperback)

Jeremy Braddock

Series: Hopkins Studies in Modernism

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Loot Price R957 Discovery Miles 9 570 | Repayment Terms: R90 pm x 12*

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In this highly original study, Jeremy Braddock focuses on collective forms of modernist expression-the art collection, the anthology, and the archive-and their importance in the development of institutional and artistic culture in the United States. Using extensive archival research, Braddock's study synthetically examines the overlooked practices of major American art collectors and literary editors: Albert Barnes, Alain Locke, Duncan Phillips, Alfred Kreymborg, Amy Lowell, Ezra Pound, Katherine Dreier, and Carl Van Vechten. He reveals the way collections were devised as both models for modernism's future institutionalization and culturally productive objects and aesthetic forms in themselves. Rather than anchoring his study in the familiar figures of the individual poet, artist, and work, Braddock gives us an entirely new account of how modernism was made, one centered on the figure of the collector and the practice of collecting. Collecting as Modernist Practice demonstrates that modernism's cultural identity was secured not so much through the selection of a canon of significant works as by the development of new practices that shaped the social meaning of art. Braddock has us revisit the contested terrain of modernist culture prior to the dominance of institutions such as the Museum of Modern Art and the university curriculum so that we might consider modernisms that could have been. Offering the most systematic review to date of the Barnes Foundation, an intellectual genealogy and analysis of The New Negro anthology, and studies of a wide range of hitherto ignored anthologies and archives, Braddock convincingly shows how artistic and literary collections helped define the modernist movement in the United States.

General

Imprint: Johns Hopkins University Press
Country of origin: United States
Series: Hopkins Studies in Modernism
Release date: March 2013
First published: 2012
Authors: Jeremy Braddock (Associate Professor)
Dimensions: 229 x 152 x 21mm (L x W x T)
Format: Paperback - Trade
Pages: 336
ISBN-13: 978-1-4214-0962-7
Categories: Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Exhibition catalogues and specific collections
Books > Arts & Architecture > History of art / art & design styles > From 1900 > Design styles > Modernist design & Bauhaus
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LSN: 1-4214-0962-3
Barcode: 9781421409627

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