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Richard Wagner in Paris - Translation, Identity, Modernity (Hardcover)
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Richard Wagner in Paris - Translation, Identity, Modernity (Hardcover)
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How did Wagner's experiences in Paris influence his works and
social character? And how does his sometime desire for recognition
by the French cultural establishment square with his German
national identity and with the related idea of a universally valid
art? Friedrich Nietzsche more than once claimed that Wagner's only
true home was in Paris. This book is the first major study to trace
Wagner's relationship with Paris from his first sojourn there
(1839-1842) to the Paris Tannhauser (1861). How did Wagner's
experiences in Paris influence his works and social character? How
does his sometime desire for recognition by the French cultural
establishment square with his German national identity and with the
related idea of a universally valid art? This book presents
Wagner's perennial ambition of an international operatic success in
the "capital city of the nineteenth century" and the paradoxical
consequences of that ambition upon its failure. Through an
examination of previously neglected source materials, the book
engages with ideas in the so-called "Wagner debate" as an ongoing
philosophical project that tries to come to terms with the
composer's Germanness. The book is in three main parts arranged
broadly in chronological sequence. The first considers Wagner's
earliest years in Paris, focusing on his own French-language drafts
of Das Liebesverbot and Der fliegende Hollander. The second part
explores his stance towards Paris "at a distance" following his
return to Saxony and subsequent political exile. Arriving at
Wagner's most often discussed "Paris period" (1859-61), the third
part interrogates the concert performances under the composer's
direction at the Theatre-Italien and revisionist aspects of their
reception. JEREMY COLEMAN is Lecturer in Music in the School of
Performing Arts, Universityof Malta.
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