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Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)

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Richard Wagner in Paris - Translation, Identity, Modernity (Hardcover) Loot Price: R2,180
Discovery Miles 21 800
Richard Wagner in Paris - Translation, Identity, Modernity (Hardcover): Jeremy Coleman

Richard Wagner in Paris - Translation, Identity, Modernity (Hardcover)

Jeremy Coleman

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Loot Price R2,180 Discovery Miles 21 800 | Repayment Terms: R204 pm x 12*

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How did Wagner's experiences in Paris influence his works and social character? And how does his sometime desire for recognition by the French cultural establishment square with his German national identity and with the related idea of a universally valid art? Friedrich Nietzsche more than once claimed that Wagner's only true home was in Paris. This book is the first major study to trace Wagner's relationship with Paris from his first sojourn there (1839-1842) to the Paris Tannhauser (1861). How did Wagner's experiences in Paris influence his works and social character? How does his sometime desire for recognition by the French cultural establishment square with his German national identity and with the related idea of a universally valid art? This book presents Wagner's perennial ambition of an international operatic success in the "capital city of the nineteenth century" and the paradoxical consequences of that ambition upon its failure. Through an examination of previously neglected source materials, the book engages with ideas in the so-called "Wagner debate" as an ongoing philosophical project that tries to come to terms with the composer's Germanness. The book is in three main parts arranged broadly in chronological sequence. The first considers Wagner's earliest years in Paris, focusing on his own French-language drafts of Das Liebesverbot and Der fliegende Hollander. The second part explores his stance towards Paris "at a distance" following his return to Saxony and subsequent political exile. Arriving at Wagner's most often discussed "Paris period" (1859-61), the third part interrogates the concert performances under the composer's direction at the Theatre-Italien and revisionist aspects of their reception. JEREMY COLEMAN is Lecturer in Music in the School of Performing Arts, Universityof Malta.

General

Imprint: The Boydell Press
Country of origin: United Kingdom
Release date: October 2019
First published: 2019
Authors: Jeremy Coleman (Author)
Dimensions: 234 x 156 x 25mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 219
ISBN-13: 978-1-78327-442-0
Categories: Books > Arts & Architecture > Music > Composers & musicians
Books > Arts & Architecture > Performing arts > Theatre, drama > Opera
Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
Books > Music > Composers & musicians
Books > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
LSN: 1-78327-442-5
Barcode: 9781783274420

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