Claiming that the scholarship and criticism of Romanticism and its
works have for too long been dominated by a Romantic ideology--by
an uncritical absorption in Romanticism's own
self-representations--Jerome J. McGann presents a new, "critical"
view of the subject that calls for a radically revisionary reading
of Romanticism. In the course of his study, McGann analyzes both
the predominant theories of Romanticism (those deriving from
Coleridge, Hegel, and Heine) and the products of its major English
practitioners. Words worth, Coleridge, Shelley, and Byron are
considered in greatest depth, but the entire movement is subjected
to a searching critique. Arguing that poetry is produced and
reproduced within concrete historical contexts and that criticism
must take these contexts into account, McGann shows how the
ideologies embodied in Romantic poetry and theory have shaped and
distorted contemporary critical activities.
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