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Ovid's Tragic Heroines - Gender Abjection and Generic Code-Switching (Hardcover)
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Ovid's Tragic Heroines - Gender Abjection and Generic Code-Switching (Hardcover)
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Ovid's Tragic Heroines expands our understanding of Ovid's
incorporation of Greek generic codes and the tragic heroines,
Phaedra and Medea, while offering a new perspective on the Roman
poet's persistent interest in these two characters and their
paradigms. Ovid presents these two Attic tragic heroines as symbols
of different passions that are defined by the specific combination
of their gender and generic provenance. Their failure to be
understood and their subsequent punishment are constructed as the
result of their female "nature," and are generically marked as
"tragic." Ovid's masculine poetic voice, by contrast, is given free
rein to oscillate and play with poetic possibilities. Jessica A.
Westerhold focuses on select passages from the poems Ars Amatoria,
Heroides, and Metamorphoses. Building on existing scholarship, she
analyzes the dynamic nature of generic categories and codes in
Ovid's poetry, especially the interplay of elegy and epic. Further,
her analysis of Ovid's reception applies the idea of the abject to
elucidate Ovid's process of constructing gender and genre in his
poetry. Ovid's Tragic Heroines incorporates established theories of
the performativity of sex, gender, and kinship roles to understand
the continued maintenance of the normative and abject subject
positions Ovid's poetry creates. The resulting analysis reveals how
Ovid's Phaedras and Medeas offer alternatives both to traditional
gender roles and to material appropriate to a poem's genre,
ultimately using the tragic code to introduce a new perspective to
epic and elegy.
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