To whom should we ascribe the great flowering of the arts in
Renaissance Italy? Artists like Botticelli and Michelangelo? Or
wealthy, discerning patrons like Cosimo de' Medici? In recent
years, scholars have attributed great importance to the role played
by patrons, arguing that some should even be regarded as artists in
their own right. This approach receives sharp challenge in Jill
Burke's Changing Patrons, a book that draws heavily upon the
author's discoveries in Florentine archives, tracing the many
profound transformations in patrons' relations to the visual world
of fifteenth-century Florence. Looking closely at two of the city's
upwardly mobile families, Burke demonstrates that they approached
the visual arts from within a grid of social, political, and
religious concerns. Art for them often served as a mediator of
social difference and a potent means of signifying status and
identity.
Changing Patrons combines visual analysis with history and
anthropology to propose new interpretations of the art created by,
among others, Botticelli, Filippino Lippi, and Raphael. Genuinely
interdisciplinary, the book also casts light on broad issues of
identity, power relations, and the visual arts in Florence, the
cradle of the Renaissance.
General
Imprint: |
Pennsylvania State University Press
|
Country of origin: |
United States |
Release date: |
May 2004 |
First published: |
2004 |
Authors: |
Jill Burke
|
Dimensions: |
254 x 178 x 27mm (L x W x T) |
Format: |
Hardcover - Sewn
|
Pages: |
296 |
Edition: |
New |
ISBN-13: |
978-0-271-02362-5 |
Categories: |
Books >
Arts & Architecture >
The arts: general issues >
General
Promotions
|
LSN: |
0-271-02362-7 |
Barcode: |
9780271023625 |
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