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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Exhibition catalogues and specific collections

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Joan Mitchell: I carry my landscapes around with me (Hardcover) Loot Price: R1,192
Discovery Miles 11 920
You Save: R97 (8%)
Joan Mitchell: I carry my landscapes around with me (Hardcover): Joan Mitchell, Robert Slifkin, Suzanne Hudson

Joan Mitchell: I carry my landscapes around with me (Hardcover)

Joan Mitchell, Robert Slifkin, Suzanne Hudson

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Was R1,289 Loot Price R1,192 Discovery Miles 11 920 | Repayment Terms: R112 pm x 12* You Save R97 (8%)

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I carry my landscapes around with me focuses on American abstract artist Joan Mitchell's large-scale multipanel works from the 1960s through the 1990s. Mitchell's exploration of the possibilities afforded by combining two to five large canvases allowed her to simultaneously create continuity and rupture, while opening up a panoramic expanse referencing landscapes or the memory of landscapes. Mitchell established a singular approach to abstraction over the course of her career. Her inventive reinterpretation of the traditional figure-ground relationship and synesthetic use of color set her apart from her peers, resulting in intuitively constructed and emotionally charged compositions that alternately evoke individuals, observations, places, and points in time. Art critic John Yau lauded her paintings as "one of the towering achievements of the postwar period." Published on the occasion of the eponymous exhibition at David Zwirner New York in 2019, this book offers a unique opportunity to explore the range of scale and formal experimentation of this innovative area of Mitchell's extensive body of work. It not only features reproductions of each painting in this selection as a whole, but also numerous details that allow an intimate understanding of the surface texture and brushwork. In the complementing essays, Suzanne Hudson examines boundaries, borders, and edges in Mitchell's multipanel paintings, beginning with her first work of this kind, The Bridge (1956), considering them as both physical and conceptual objects; Robert Slifkin discusses the dynamics of repetition and energy in the artist's paintings, in relation to works by Monet and Willem de Kooning, among others.

General

Imprint: David Zwirner
Country of origin: United States
Release date: February 2020
Authors: Joan Mitchell • Robert Slifkin • Suzanne Hudson
Dimensions: 260 x 359 x 15mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 112
ISBN-13: 978-1-64423-028-2
Categories: Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Exhibition catalogues and specific collections
Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960 > Abstract Expressionism
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
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LSN: 1-64423-028-3
Barcode: 9781644230282

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