Moving into an old and decaying house, Martin Swann discovers a box
of video cassettes in the garden shed. One of them is a bootleg
copy of a morbid and disturbing film by obscure French director,
Jean Rien. The discovery leads Martin on a search for the
director's other films, and for a way to understand Rien's
filmography, drawing him away from his home and his lover into a
shadowy realm of secrets, rituals and creeping decay. An encounter
with a crazed film journalist in Gravesend leads to drug-fuelled
visions in Paris - and finally to the Mexican desert where a grim
revelation awaits. The Witnesses Are Gone is a first-hand account
of a journey into the darkest parts of the underworld - a look
behind the screen on which our collective nightmares play.
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