This volume addresses the growing obsolescence of traditional
constructions of masculine identity in popular romantic comedies by
proposing an approach that combines gender and genre theory to
examine the ongoing radical reconstruction of gender roles in these
films. Alberti creates a unified theory of gender role change in
the movies that combines the insights of both poststructuralist
gender and narrative genre theory, avoiding binary approaches to
the study of gender representation. He establishes the current
"crises" in both gender representation and genre development within
romantic comedies as examples of experimentation and change towards
narratives that feature more egalitarian and less essentialist
constructions of gender.
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