John Conteh-Morgan explores the multiple ways in which African
and Caribbean theatres have combined aesthetic, ceremonial,
experimental, and avant-garde practices in order to achieve sharp
critiques of the nationalist and postnationalist state and to
elucidate the concerns of the francophone world. More recent
changes have introduced a transnational dimension, replacing
concerns with national and ethnic solidarity in favor of irony and
self-reflexivity. New Francophone African and Caribbean Theatres
places these theatres at the heart of contemporary debates on
global cultural and political practices and offers a more finely
tuned understanding of performance in diverse diasporic
networks.
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