In a long and varied career, Lindsay Anderson made training
films, documentaries, searing family dramas and blistering satires,
including This Sporting Life, O Lucky Man , and Britannia
Hospital.Students of British cinema and television from the 1950s
to 1990s will find this book a valuable source of information about
a director whose work came to public attention with Free Cinema but
who, unlike many of his peers in that movement did not take the
Hollywood route to success. What emerges is a strong feeling for
the character of the man as well as for a remarkable career in
British cinema.The book will appeal to admirers, researchers, and
students alike. Making use of hitherto unseen original materials
from Anderson's extensive personal and professional records, it is
most valuable as a study of how the films came about: the
production problems involved, the collaborative input of others, as
well as the completed films' promotion and reception.It also offers
a finely argued take on the whole issue of film authorship, and
achieves the rare feat of being academically authoritative whilst
also being completely accessible. It prompts renewed respect for
the man and the artist and a desire to watch the films all over
again.
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