First recognized with the likes of Samuel Beckett and Eugene
Ionesco as a defining figure at the forefront of the ""theater of
the absurd,"" French playwright Adam Adamov had a fairly prolific
career, writing twenty plays between 1947 and his death in 1970.
Now, though now he has fallen somewhat into obscurity. John J.
McMann provides a study of Adamov's work which traces the
playwright's artistic development and explores his role in defining
the avant-garde and political theaters of France.
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