British imperialism's favorite literary narrative might seem to
be conquest. But real British conquests also generated a surprising
cultural obsession with suffering, sacrifice, defeat, and
melancholia. "There was," writes John Kucich, "seemingly a
different crucifixion scene marking the historical gateway to each
colonial theater." In "Imperial Masochism," Kucich reveals the
central role masochistic forms of voluntary suffering played in
late-nineteenth-century British thinking about imperial politics
and class identity. Placing the colonial writers Robert Louis
Stevenson, Olive Schreiner, Rudyard Kipling, and Joseph Conrad in
their cultural context, Kucich shows how the ideological and
psychological dynamics of empire, particularly its reorganization
of class identities at the colonial periphery, depended on
figurations of masochism.
Drawing on recent psychoanalytic theory to define masochism in
terms of narcissistic fantasies of omnipotence rather than sexual
perversion, the book illuminates how masochism mediates political
thought of many different kinds, not simply those that represent
the social order as an opposition of mastery and submission, or an
eroticized drama of power differentials. Masochism was a powerful
psychosocial language that enabled colonial writers to articulate
judgments about imperialism and class.
The first full-length study of masochism in British colonial
fiction, "Imperial Masochism" puts forth new readings of this
literature and shows the continued relevance of psychoanalysis to
historicist studies of literature and culture.
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