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The New American Poetry - Fifty Years Later (Paperback)
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The New American Poetry - Fifty Years Later (Paperback)
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The New American Poetry: Fifty Years Later is a collection of
critical essays on Donald Allen's 1960 seminal anthology, The New
American Poetry, an anthology that Marjorie Perloff once called
"the fountainhead of radical American poetics." The New American
Poetry is referred to in every literary history of post-World War
II American poetry. Allen's anthology has reached its fiftieth
anniversary, providing a unique time for reflection and
reevaluation of this preeminent collection. As we know, Allen's
anthology was groundbreaking-it was the first to distribute widely
the poetry and theoretical positions of poets such as Charles
Olson, Allen Ginsberg and the Beats, and it was the first to
categorize these poets by the schools (Black Mountain, New York
School, San Francisco Renaissance, and the Beats) by which they are
known today. Over the course of fifty years, this categorization of
poets into schools has become one of the major, if not only way,
that The New American Poetry is remembered or valued; one certain
goal of this volume, as one reviewer invites, is to "pry The New
American Poetry out from the hoary platitudes that have encrusted
it." To this point critics mostly have examined The New American
Poetry as an anthology; former treatments of The New American
Poetry look at it intently as a whole. Though the almost
singularly-focused study of its construction and, less often,
reception has lent a great deal of documented, highly visible and
debated material in which to consider, we have been left with
certain notions about its relevance that have become imbued
ultimately in the collective critical consciousness of
postmodernity. This volume, however, goes beyond the analysis of
construction and reception and achieves something distinctive,
extending those former treatments by treading on the paths they
create. This volume aims to discover another sense of "radical"
that Perloff articulated-rather than a radical that departs
markedly from the usual, we invite consideration of The New
American Poetry that is radical in the sense of root, of harboring
something fundamental, something inherent, as we uncover and trace
further elements correlated with its widespread influence over the
last fifty years.
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