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Machines for Making Gods - Mormonism, Transhumanism, and Worlds without End (Paperback)
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Machines for Making Gods - Mormonism, Transhumanism, and Worlds without End (Paperback)
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The Mormon faith may seem so different from aspirations to
transcend the human through technological means that it is hard to
imagine how these two concerns could even exist alongside one
another, let alone serve together as the joint impetus for a social
movement. Machines for Making Gods investigates the tensions
between science and religion through which an imaginative group of
young Mormons and ex-Mormons have found new ways of understanding
the world. The Mormon Transhumanist Association (MTA) believes that
God intended humanity to achieve Mormonism's promise of theosis
through imminent technological advances. Drawing on a
nineteenth-century Mormon tradition of religious speculation to
reimagine Mormon eschatological hopes as near-future technological
possibilities, they envision such current and possible advances as
cryonic preservation, computer simulation, and quantum archeology
as paving the way for the resurrection of the dead, the creation of
worlds without end, and promise of undergoing theosis-of becoming a
god. Addressing the role of speculation in the anthropology of
religion, Machines for Making Gods undoes debates about secular
transhumanism's relation to religion by highlighting the
differences an explicitly religious transhumanism makes. Charting
the conflicts and resonances between secular transhumanism and
Mormonism, Bialecki shows how religious speculation has opened up
imaginative horizons to give birth to new forms of Mormonism,
including a particular progressive branch of the faith and even
such formations as queer polygamy. The book also reveals how the
MTA's speculative account of God and technology together has helped
to forestall some of the social pressure that comes with apostasy
in much of the Mormon Intermountain West. A fascinating ethnography
of a group with much to say about crucial junctures of modern
culture, Machines for Making Gods illustrates how the scientific
imagination can be better understood when viewed through
anthropological accounts of myth.
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