"Hollywood's Italian American Filmmakers" explores the
different ways in which Italian American directors from the 1920s
to the present have responded to their ethnicity. While some
directors have used film to declare their ethnic roots and create
an Italian American "imagined community," others have ignored or
even denied their background. Jonathan J. Cavallero examines the
films of Frank Capra, Martin Scorsese, Nancy Savoca, Francis Ford
Coppola, and Quentin Tarantino with a focus on what the films
reveal about each director's view on Italian American identities.
Whereas Capra's films highlight similarities between immigrant
characters and WASP Americans, Scorsese accepts his ethnic heritage
but also sees it as confining. Similarly, many of Coppola's films
provide a nostalgic treatment of Italian American identity, but
with little criticism of the culture's more negative aspects. And
while Savoca's movies reveal her artful ability to recognize how
ethnic, gender, and class identities overlap, Tarantino's films
exhibit a playfully postmodern engagement with Italian American
ethnicity. Cavallero's exploration of the films of Capra, Scorsese,
Savoca, Coppola, and Tarantino demonstrates how immigrant Italians
fought prejudice, how later generations positioned themselves in
relation to their predecessors, and how the American cinema,
usually seen as a cultural institution that works to assimilate,
has also served as a forum where assimilation was resisted.
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