Documentary cinema has always drawn from real life, but an
increasing number of contemporary filmmakers are going further
still, drawing onscreen images of reality through a range of
animated filmmaking techniques. Drawn from Life is the first book
to explore the field of animated documentaries from a diverse range
of scholarly and practice-based perspectives, exploring and
proposing answers to a range of questions that preoccupy
twenty-first-century film artists and audiences alike: Why use
animation to document? How do such images reflect and influence our
understanding and experience of reality, whether public or private,
psychological or political? From early cinema to present-day
scientific research, military uses, digital art and gaming, this
book casts new light on the capacity of the moving image to act as
a record of the world around us, challenging the orthodox
definitions of documentary cinema.
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