The statement, "The Civil Rights Movement changed America,"
though true, has become something of a cliche. "Civil rights in the
White Literary Imagination" seeks to determine how, exactly, the
Civil Rights Movement changed the literary possibilities of four
iconic American writers: Robert Penn Warren, Norman Mailer, Eudora
Welty, and William Styron. Each of these writers published
significant works prior to the "Brown v. Board of Education" case
in 1954 and the Montgomery Bus Boycott that began in December of
the following year, making it possible to trace their evolution in
reaction to these events. The work these writers crafted in
response to the upheaval of the day, from Warren's "Who Speaks for
the Negro?," to Mailer's "The White Negro" to Welty's "Where Is the
Voice Coming From?" to Styron's "Confessions of Nat Turner," reveal
much about their own feeling in the moment even as they contribute
to the national conversation that centered on race and
democracy.
By examining these works closely, Gray posits the argument that
these writers significantly shaped discourse on civil rights as the
movement was occurring but did so in ways that--intentionally or
not--often relied upon a notion of the relative innocence of the
South with regard to racial affairs, and on a construct of African
Americans as politically and/or culturally na*ve. As these writers
grappled with race and the myth of southern nobility, their work
developed in ways that were simultaneously sympathetic of, and
condescending to, black intellectual thought occurring at the same
time."
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