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Books > Language & Literature > Literature: history & criticism > Literary theory
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Baroque Modernity - An Aesthetics of Theater (Paperback)
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Baroque Modernity - An Aesthetics of Theater (Paperback)
Series: Hopkins Studies in Modernism
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A groundbreaking study on the vital role of baroque theater in
shaping modernist philosophy, literature, and performance. Finalist
for the Outstanding Book Award by the Association for Theatre in
Higher Education, Honorable Mention for the Balakian Prize by the
International Comparative Literature Association, Winner of the
Helen Tartar Book Subvention Award by the American Comparative
Literature Association, Finalist of the MSA First Book Prize by the
Modernist Studies Association Baroque style-with its emphasis on
ostentation, adornment, and spectacle-might seem incompatible with
the dominant forms of art since the Industrial Revolution, but
between 1875 and 1935, European and American modernists connected
to the theater became fascinated with it. In Baroque Modernity,
Joseph Cermatori argues that the memory of seventeenth-century
baroque stages helped produce new forms of theater, space, and
experience around the turn of the twentieth century. In response,
modern theater helped give rise to the development of the baroque
as a modern philosophical idea. The book focuses on avant-gardists
whose writing takes place between theory and performance:
philosophical theater-makers and theatrical philosophers including
Friedrich Nietzsche, Stephane Mallarme, Walter Benjamin, and
Gertrude Stein. Moving between page and stage, this study tracks
the remnants of seventeenth-century theater through modernist
aesthetics across an array of otherwise disparate materials,
including modern opera, Bertolt Brecht's Epic Theater, poetic
tragedies, and miracle plays. By reexamining the twentieth
century's engagements with Gianlorenzo Bernini, William
Shakespeare, Claudio Monteverdi, Calderon de la Barca, and other
seventeenth-century predecessors, the book delineates an enduring
tradition of baroque performance. Along the way, Cermatori expands
our familiar narratives of "the modern" and traces a history of
theatricality that reverberates into the twenty-first century.
Baroque Modernity will appeal to readers in a wide array of
disciplines, including comparative literature, theater and
performance, art and music history, intellectual history, and
aesthetic theory.
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