Focuses a sharp eye on how the landscape of the American Southwest
served Cather creatively and the ways it shaped her research and
productivity The American Southwest was arguably as formative a
landscape for Willa Cather's aesthetic vision as was her beloved
Nebraska. Both landscapes elicited in her a sense of raw
incompleteness. They seemed not so much finished places as things
unassembled, more like countries still waiting to be made into a]
landscape. Cather's fascination with the Southwest led to its
presence as a significant setting in three of her most ambitious
novels: The Song of the Lark, The Professor's House, and Death
Comes for the Archbishop. This volume focuses a sharp eye on how
the landscape of the American Southwest served Cather creatively
and the ways it shaped her research and productivity. No single
scholarly methodology prevails in the essays gathered here, giving
the volume rare depth and complexity.
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