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Performing Asian America - Race and Ethnicity on the Contemporary Stage (Paperback)
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Performing Asian America - Race and Ethnicity on the Contemporary Stage (Paperback)
Series: Asian American History & Cultu
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At a time when Asian American theater is enjoying a measure of
growth and success, Josephine Lee tells us about the complex social
and political issues depicted by Asian American playwrights. By
looking at performances and dramatic texts, Lee argues that
playwrights produce a different conception of \u0022Asian
America\u0022 in accordance with their unique set of sensibilities.
For instance, some Asian American playwrights critique the
separation of issues of race and ethnicity from those of economics
and class, or they see ethnic identity as a voluntary choice of
lifestyle rather than an impetus for concerted political action.
Others deal with the problem of cultural stereotypes and how to
reappropriate their power. Lee is attuned to the complexities and
contradictions of such performances, and her trenchant thinking
about the criticisms lobbed at Asian American playwrights -- for
their choices in form, perpetuation of stereotype, or apparent
sexism or homophobia -- leads her to question how the presentation
of Asian American identity in the theater parallels problems and
possibilities of identity offstage as well. Discussed are
better-known plays such as Frank Chin's The Chickencoop Chinaman,
David Henry Hwang's M. Butterfly, and Velina Hasu Houston's Tea,
and new works like Jeannie Barroga's Walls and Wakako Yamauchi's
12-1-a.
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