In the eighth and ninth centuries, three Byzantine
empresses--Irene, Euphrosyne, and Theodora--changed history. Their
combined efforts restored the veneration of icons, saving Byzantium
from a purely symbolic and decorative art and ensuring its
influence for centuries to come.
In this exhilarating and highly entertaining account, one of the
foremost historians of the medieval period tells the story of how
these fascinating women exercised imperial sovereignty with
consummate skill and sometimes ruthless tactics. Though they gained
access to the all-pervasive authority of the Byzantine ruling
dynasty through marriage, all three continued to wear the imperial
purple and wield tremendous power as widows. From Constantinople,
their own Queen City, the empresses undermined competitors and
governed like men. They conducted diplomacy across the known world,
negotiating with the likes of Charlemagne, Roman popes, and the
great Arab caliph Harun al Rashid.
Vehemently rejecting the ban on holy images instituted by their
male relatives, Irene and Theodora used craft and power to reverse
the official iconoclasm and restore icons to their place of
adoration in the Eastern Church. In so doing, they profoundly
altered the course of history. The art--and not only the art--of
Byzantium, of Islam, and of the West would have been very different
without them.
As Judith Herrin traces the surviving evidence, she evokes the
complex and deeply religious world of Constantinople in the
aftermath of Arab conquest. She brings to life its monuments and
palaces, its court ceremonies and rituals, the role of eunuchs (the
"third sex"), bride shows, and the influence of warring monks and
patriarchs. Based on new research and written for a general
audience, "Women in Purple" reshapes our understanding of an empire
that lasted a thousand years and splashes fresh light on the
relationship of women to power.
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