This book examines intersections of poetry and performance during
the British Poetry Revival. Its investigations are centered on four
specific performance events: The First International Poetry
Incarnation at the Royal Albert Hall in 1965; Denise Riley's first
public reading at the Cambridge Poetry Festival in 1977; Eric
Mottram's Pollock Record; and Allen Fisher's Blood Bone Brain.
Drawing upon a range of archival resources, recordings, and
interviews, Juha Virtanen offers engaging and detailed
"archaeological" accounts and analyses of these largely unexamined
events as well as the potential dialogues between them. The
appendices of the book also feature previously unpublished
interviews with both Fisher and Riley. This book is essential
reading for poetry and performance enthusiasts, particularly those
interested in innovative British Poetry.
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