The theatre, both as metaphor and practice, is central to Cixous'
writing, yet has rarely been accorded the importance it merits
within her oeuver. The constant concerns of her work are
represented and explored in plays which address individual and
collective stories of difference, exile, love and writing. This
book offers a clear contextualisation of Cixous' theatre alongside
detailed analyses of individual plays and argues for a reading of
Cixous' theatre as a dramatisation of the writing process.
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