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Blake, Nationalism, and the Politics of Alienation (Hardcover, 1)
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Blake, Nationalism, and the Politics of Alienation (Hardcover, 1)
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William Blake's reputation as a staunch individualist is based in
large measure on his repeated attacks on institutions and belief
systems that constrain the individual's imagination. Blake,
however, rarely represents isolation positively, suggesting that
the individual's absolute freedom from communal pressures is not
the ideal. Instead, as Julia Wright argues in her award-winning
study Blake, Nationalism, and the Politics of Alienation, Blake's
concern lies with the kind of community that is being established.
Moreover, writing at the moment of the emergence of modern
nationalism, Blake reveals a concern with the national community in
particular. Beginning with a discussion of the priority of national
narrative in late-eighteenth-century art theory and antiquarianism,
Blake, Nationalism, and the Politics of Alienation traces its
relevance in Blake's printed works, from The Poetical Sketches and
the Lambeth Prophecies to The Laocooen. Professor Wright then turns
to Europe, America, and Visions of the Daughters of Albion,
focusing on Blake's portrayals of particular characters' alienation
from the groups and ideologies represented in the texts. The book
closes by arguing that Blake's major printed works, Milton and
Jerusalem, are explicit and extensive engagements with the question
of nation--and empire. Although nationalism existed in various
forms during the Romantic period, Blake's contemporaries generally
assumed that nations should progress continuously, producing a
clear narrative line from an auspicious origin to the perfect
fulfillment of that promise. Wright argues that these mutually
determining constructs of national character and national narrative
inform Blake's handling of the problem of the
individual-within-a-community.
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