This book brings the study of nineteenth-century illustrations into
the digital age. The key issues discussed include the difficulties
of making illustrations visible online, the mechanisms for
searching the content of illustrations, and the politics of
crowdsourced image tagging. Analyzing a range of online resources,
the book offers a conceptual and critical model for engaging with
and understanding nineteenth-century illustration through its
interplay with the digital. In its exploration of the intersections
between historic illustrations and the digital, the book is of
interest to those working in illustration studies, digital
humanities, word and image, nineteenth-century studies, and visual
culture.
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