Together with the late Jorge Luis Borges, Gabriel Garcia
Marquez, the 1982 Nobel laureate, stands at the pinnacle of Latin
American literature. His work, in the words of Julio Ortega,
"contains its own 'deconstructive' force--a literary power capable
of reshaping natural order and rhetorical tradition in order to
'carnivalize' the Borges' library and allow us to hear the
voices--and the laughter--of a culture, that of Latin America."
This reshaping force invites us to read the works of Garcia Marquez
in a new way, one that bypasses the traditional, inadequate
approaches through Latin American politics, history, and "magical
realism."
In Gabriel Garcia Marquez and the Powers of Fiction, noted
scholars Julio Ortega, Ricardo Gutierrez Mouat, Michael
Palencia-Roth, Anibal Gonzalez, and Gonzalo Diaz-Migoyo offer
English-speaking readers a new approach to Garcia Marquez's work.
Their poststructuralist readings focus on the peculiar sign-system,
formal configuration, intradiscursivity, and unfolding
representation in the novels One Hundred Years of Solitude, No One
Writes to the Colonel, In Evil Hour, The Autumn of the Patriarch,
and Chronicle of a Death Foretold and in several of the author's
short stories. Also included as an appendix is a translation of
Garcia Marquez's Nobel Prize acceptance speech, "The Solitude of
Latin America."
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