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Sound and Aural Media in Postmodern Literature - Novel Listening (Paperback)
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Sound and Aural Media in Postmodern Literature - Novel Listening (Paperback)
Series: Routledge Studies in Twentieth-Century Literature
Expected to ship within 12 - 17 working days
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This study examines postmodern literature- including works by Kurt
Vonnegut, William Gaddis, Don DeLillo, Philip K. Dick, Ishmael
Reed, and Thomas Pynchon -arguing that one of the formal logics of
postmodern fiction is heterophonia: a pluralism of sound. The
postmodern novel not only bears earwitness to a crucial period in
American aural history, but it also offers a critique of the
American soundscape by rebroadcasting extant technological
discourses. Working chronologically through four audio transmission
technologies of the twentieth century (the player piano, radio,
television audio, and Muzak installations), St. Clair charts the
tendency of ever-proliferating audio streams to become increasingly
subsumed as background sound. The postmodern novel attends
specifically to this background sound, warning that inattention to
the increasingly complex sonic backdrop allows for ever more
sophisticated techniques of aural manipulation-from advertising
jingles to mood-altering ambient sound. Building upon
interdisciplinary work from the emerging field of sound culture
studies, this book ultimately contends that a complementary, yet
seemingly contradictory double logic characterizes the postmodern
novel's engagement with narratives of aural influence. On the one
hand, such narratives echo and amplify postwar fiction's media
anxiety; on the other hand, they allow print fiction to appropriate
the techniques of aural media. This dialectical engagement with
media aurality-this simultaneous impulse to repudiate and to
utilize-is the central mechanism of the heterophonic novel.
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