"The New India" looks critically at various constructions of the
Indian citizen from 1991 to 2007, the period when economic
liberalization became established government policy. Liberalization
generated complex social and economic tensions, and Chowdhury
reveals howthese tensions shaped images of the citizen in cultural
narratives of the time--in films, literary texts, corporate
advertisements, political documents, and citizens' responses to the
privatization of public space. Examining differing images of
citizenship and its rules and rituals in these narratives,
Chowdhury sheds light on the complex interactions between culture
and political economy in the New India.
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