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Flamenco on the Global Stage - Historical, Critical and Theoretical Perspectives (Paperback)
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Flamenco on the Global Stage - Historical, Critical and Theoretical Perspectives (Paperback)
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The language of the body is a central text in the study of flamenco
on the global stage. From the records of the Inquisition, to 16th
century literature, to European travel diaries, the Spanish dancer
beguiles and fascinates. The word flamenco evokes the body of a
sensuous and rebellious woman-the bailaora-whose lascivious
movements seduce the audience, only to reject their invasive gaze
with a stomp of defiance. The flamenco dancer's body is an agent of
ideological resistance, conveying a desire for subjectivity and
autonomy and implying deeply held ideas about history, national
identity, femininity and masculinity. This collection of new essays
by flamenco historians, critics and cultural theorists provides an
overview of flamenco scholarship, illuminating flamenco's narrative
and addressing some of the stereotypes that exist in flamenco
studies. The contributors bring new information into flamenco's
chronology, offer fresh perspectives on age-old themes and suggest
new paradigms for flamenco as a cultural practice.
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